Archaeology of the Future

What will remain of us, and who will misread it?

Use the authority of the museum label to describe objects that are entirely invented — and let the visitor decide what is true.

Vitrine light, mineral neutrals, machine-set catalogue typography and hand-made surfaces sitting in deliberate tension.

• Generative form studies translated into ceramic maquettes
• Hand-thrown and kiln-fired prototypes
• Fictional catalogue written in institutional voice
• Photographic documentation as archaeological record

Visitors move through the vitrines reading labels before they look, then look again and lose their certainty.

Twelve artefacts, a printed catalogue and a digital collection index.

Speculation is not escapism. It is the fastest way to see the present clearly.