Haku

What does a designer learn when the material argues back?

Let process remain visible. Nothing sanded away, nothing corrected.

Clay, ash glaze, unpolished stone, low natural light.

• Throwing and hand-building tests across three clay bodies
• Glaze trials documented as a material archive
• Macro photography of edges, cracks and repairs

Objects meant to be held daily, not displayed behind glass.

A first collection of eighteen unique pieces with a documentary photographic archive.

After thirty years of working in pixels and print, clay reminded me that time is a material too.